Monday, October 25, 2010

FW: {satyapravah} What the Islamic Invaders Did to India. by Rizwan Salim-assistant editor of American Sentinel.


Date: Mon, 25 Oct 2010 15:00:19 +0530
Subject: {satyapravah} What the Islamic Invaders Did to India. by Rizwan Salim-assistant editor of American Sentinel.

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What the Islamic Invaders Did to India. by Rizwan Salim...
What the Islamic Invaders Did to India
by Rizwan Salim
12 Nov, 2007
On the anniversary of the Babri Masjid demolition (December 6, 1992), it is
important for Hindus (and Muslims) to understand the importance of the event in
the context of Hindustan's history, past and recent, present and the future.

Savages at a very low level of civilisation and no culture worth the name, from
Arabia and west Asia, began entering India from the early century onwards.
Islamic invaders demolished countless Hindu temples, shattered uncountable
sculpture and idols, plundered innumerable palaces and forts of Hindu kings,
killed vast numbers of Hindu men and carried off Hindu women. This story, the
educated-and a lot of even the illiterate Indians-know very well. History books
tell it in remarkable detail. But many Indians do not seem to recognise that the
alien Muslim marauders destroyed the historical evolution of the earth's most
mentally advanced civilisation, the most richly imaginative culture, and the
most vigorously creative society.

It is clear that India at the time when Muslim invaders turned towards it (8 to
11th century) was the earth's richest region for its wealth in precious and
semi-precious stones, gold and silver, religion and culture, and its fine arts
and letters. Tenth century Hindustan was also too far advanced than its
contemporaries in the East and the West for its achievements in the realms of
speculative philosophy and scientific theorising, mathematics and knowledge of
nature's workings. Hindus of the early medieval period were unquestionably
superior in more things than the Chinese, the Persians (including the
Sassanians), the Romans and the Byzantines of the immediate proceeding
centuries. The followers of Siva and Vishnu on this subcontinent had created for
themselves a society more mentally evolved-joyous and prosperous too-than had
been realised by the Jews, Christians, and Muslim monotheists of the time.
Medieval India, until the Islamic invaders destroyed it, was history's most
richly imaginative culture and one of the five most advanced civilisations of
all times.

Look at the Hindu art that Muslim iconoclasts severely damaged or destroyed.
Ancient Hindu sculpture is vigorous and sensual in the highest degree-more
fascinating than human figural art created anywhere else on earth. (Only statues
created by classical Greek artists are in the same class as Hindu temple
sculpture). Ancient Hindu temple architecture is the most awe-inspiring, ornate
and spell-binding architectural style found anywhere in the world. (The Gothic
art of cathedrals in France is the only other religious architecture that is
comparable with the intricate architecture of Hindu temples). No artist of any
historical civilisation have ever revealed the same genius as ancient
Hindustan's artists and artisans.

Their minds filled with venom against the idol-worshippers of Hindustan, the
Muslims destroyed a large number of ancient Hindu temples. This is a historical
fact, mentioned by Muslim chroniclers and others of the time. A number of
temples were merely damaged and remained standing. But a large number-not
hundreds but many thousands-of the ancient temples were broken into shreds of
cracked stone. In the ancient cities of Varanasi and Mathura, Ujjain and
Maheshwar, Jwalamukhi and Dwarka, not one temple survives whole and intact from
the ancient times.

The wrecking of Hindu temples went on from the early years of the 8th century to
well past 1700 AD a period of almost 1000 years. Every Muslim ruler in Delhi (or
Governor of Provinces) spent most of his time warring against Hindu kings in the
north and the south, the east and the west, and almost every Muslim Sultan and
his army commanders indulged in largescale destructions of Hindu temples and
idols. They also slaughtered a lot of Hindus. It is easy to conclude that
virtually every Hindu temple built in the ancient times is a perfect work of
art. The evidence of the ferocity with which the Muslim invaders must have
struck at the sculptures of gods and goddesses, demons and apsaras, kings and
queens, dancers and musicians is frightful. At so many ancient temples of
Rajasthan and Madhya Pradesh, for example, shattered portions of stone images
still lie scattered in the temple courtyards. Considering the fury used on the
idols and sculptures, the stone-breaking axe must have been applied to thousands
upon thousands of images of hypnotic beauty.

Giving proof of the resentment that men belonging to an inferior civilisation
feel upon encountering a superior civilisation of individuals with a more
refined culture, Islamic invaders from Arabia and western Asia broke and burned
everything beautiful they came across in Hindustan. So morally degenerate were
the Muslim Sultans that, rather than attract Hindu "infidels" to Islam through
force of personal example and exhortation, they just built a number of mosques at
the sites of torn down temples-and foolishly pretended they had triumphed over
the minds and culture of the Hindus. I have seen stones and columns of Hindu
temples incorportated into the architecture of several mosques, including the
Jama Masjid and Ahmed Shah Masjid in Ahmedabad; the mosque in the Uparkot fort
of Junagadh (Gujarat) and in Vidisha (near Bhopal); the Adhai Din Ka Jhonpra
right next to the famous dargah in Ajmer-and the currently controversial
Bhojshala "mosque" in Dhar (near Indore). Hindu culture was at its imaginative
best and vigorously creative when the severely-allergic- to-images Muslims
entered Hindustan. Islamic invaders did not just destroy countless temples and
constructions but also suppressed cultural and religious practices; damaged the
pristine vigour of Hindu religion, prevented the intensification of Hindu
culture, debilitating it permanently, stopped the development of Hindu arts
ended the creative impulse in all realms of thought and action, damaged the
people's cultural pride, disrupted the transmission of values and wisdom,
cultural practices and tradition from one generation to the next; destroyed the
proper historical evolution of Hindu kingdoms and society, affected severely the
acquisition of knowledge, research and reflection and violated the moral basis
of Hindu society. The Hindus suffered immense psychic damage. The Muslims also
plundered the wealth of the Hindu kingdoms, impoverished the Hindu populace, and
destroyed the prosperity of Hindustan.

Gaze in wonder at the Kailas Mandir in the Ellora caves and remember that it is
carved out of a solid stone hill, an effort that (inscriptions say) took nearly
200 years. This is art as devotion. The temple built by the Rashtrakuta kings
(who also built the colossal sculpture in the Elenhanta caves off Mumbai
harbour) gives proof of the ancient Hindus' religious fervor.

But the Kailas temple also indicated a will power, a creative imagination, and
an intellect eager to take on the greatest of artistic challenges.

The descendants of those who built the magnificent temples of Bhojpur and
Thanjavur, Konark and Kailas, invented mathematics and brain surgery, created
mindbody disciplines (yoga) of astonishing power, and built mighty empires would
almost certainly have attained technological superiority over Europe.

It is not just for "political reasons" that Hindus want to build grand temples
at the sites of the (wrecked) Babri Masjid in Ayodhya, the Gyanvapi mosque in
Varanasi, and the Mathura idgah. The efforts of religion-intoxicate d and
politically active Hindus to rebuild the Ram Mandir, the Kashi Vishwanath
Mandir, and the Krishna Mandir are just three episodes m a one-thousand year
long Hindu struggle to reclaim their culture and religion from alien invaders.

The demolition of the Babri Masjid in Ayodhya on 6 December 1992 was just one
episode in the millennial struggle of the Hindus to repossess their
religion-centered culture and nation. Meanwhile, hundreds of ancient Hindu
temples forsaken all over Hindustan await the reawakening of Hindu cultural
pride to be repaired or rebuilt and restored to their original, ancient glory.

This article was published in Hindustan Times on December 28, 1997
____________ _________ _________ __

Rizwan Salim is a reviewer of New York Tribune, Capitol Hill reporter,
assistant editor of American Sentinel.


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